Note names, MIDI numbers and frequencies Site map | Contact Us Note names, MIDI numbers and frequencies Note names, MIDI numbers and frequencies are related here in tables and via an application that converts them. The musical interval between two notes depends on the ratio of their frequencies. See Frequency and Pitch for more details and an introduction to frequency and pitch. An octave is a ratio of 2:1 and, in equal temperament, an octave comprises 12 equal semitones. Each semitone therefore has a ratio of 21/12 (approximately 1.059). By convention, A4 is often set at 440 Hz. These data were used to calculate the first table below, which gives the frequency of any standard keyboard note or MIDI note number. To convert from any frequency to pitch (i.e. to the nearest note and how far it is out of tune), go to the frequency to note converter. This table is reproduced inverted below, i.e. with high pitch at the top. To convert from any frequency to pitch (i.e. to the nearest note and how far it is out of tune, go to the frequency to note converter written by Andrew Botros. How to do the caluation? Suppose thattwo notes have frequencies f1 and f2, and a frequency ratio of f2/f1. An octave is a ratio of 2:1, so the number of octaves between f2 and f1 is no = log2(f2/f1). Now to divide the octave into smaller units. In equal temperament, where all semitones have the same frequency ratio of 21/12, conversion between note name and frequency is simple. First, one needs a reference note and frequency. This is usually A4, which is often set at 440 Hz. For a note that lies n semitones higher (or −n semitones lower), the frequency is then fn = 2n/12*440 Hz. Conversely, one can obtain n, the number of semitones from A4, from n = 12*log2(fn/440 Hz). Similar equations give no, the number of octaves from A4, and nc, the number of cents from A4: no = log2(fn/440 Hz) and nc = 1200*log2(fn/440 Hz). In electronic music, pitch is often given by MIDI number: let's call it m for our purposes. m for the note A4 is 69 and increases by one for each equal tempered semitone, so this gives us a simple conversion between frequencies and MIDI numbers (again using 440 Hz as the pitch of A4): m = 12*log2(fm/440 Hz) + 69 and fm = 2(m−69)/12(440 Hz). The notation used here is not universal: in German speaking countries, H is used instead of B, and B is used for Bb. (This allowed Bach to write his name in the Art of Fugue.) And of course when different tuning systems are used, different names are applied. See Frequency and Pitch for more details. [Basics | Research | Publications | Flutes | Clarinet | Saxophone | Brass | Didjeridu | Guitar | Violin | Voice | Cochlear ] [ People | Contact Us | Home ] � Joe Wolfe / J.Wolfe@unsw.edu.au phone 61-2-9385 4954 (UT + 10, +11 Oct-Mar) Joe's music site Happy birthday, theory of relativity! As of June 2005, relativity is 100 years old. Our contribution is Einstein Light: relativity in brief... or in detail. It explains the key ideas in a short multimedia presentation, which is supported by links to broader and deeper explanations.
